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[trumpet flourish]

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Downloaded from
YTS.MX

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Official YIFY movies site:
YTS.MX

4
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[many voices, radio, a bustling city]

5
00:00:23,257 --> 00:00:27,427
[horns honk as traffic hums and vendors call out]

6
00:00:32,473 --> 00:00:35,018
[a beat pulsing and car brakes squealing]

7
00:01:06,216 --> 00:01:11,096
[motorcycle engines purr, cars honk]

8
00:01:25,068 --> 00:01:29,948
[singing voices play on a loudspeaker]

9
00:01:57,809 --> 00:02:02,648
[the symphony of city sounds builds]

10
00:02:40,560 --> 00:02:45,399
[the city continues bustling]

11
00:02:55,617 --> 00:02:59,371
[van engine rumbles]

12
00:02:59,371 --> 00:03:04,209
[taxi conductors inviting passengers]

13
00:04:06,646 --> 00:04:11,485
[light footsteps, vans woosh by]

14
00:04:37,969 --> 00:04:42,808
[traffic and footsteps continue, birds sing]

15
00:05:12,003 --> 00:05:16,842
[quiet conversations, traffic roaring in the distance]

16
00:05:24,516 --> 00:05:29,354
[energetic voices conversing in Luganda]

17
00:05:33,275 --> 00:05:38,113
[TV plays a nature show about hunting in English]

18
00:06:28,914 --> 00:06:33,752
[patrons laugh, chat traffic passes]

19
00:06:48,391 --> 00:06:53,230
[conversations and TV continue]

20
00:07:03,949 --> 00:07:06,868
[a happy giggle, conversations continue]

21
00:07:25,095 --> 00:07:29,933
[U.S. Country music on a radio, TV, chatting continue]

22
00:07:54,832 --> 00:07:59,546
[voices echo quietly outside the sanctuary]

23
00:08:14,436 --> 00:08:19,274
[quiet conversations]

24
00:08:30,452 --> 00:08:35,289
[church organ plays a slow melody as guests clap]

25
00:08:52,265 --> 00:08:55,602
[Officiant begins to speak as music winds down]

26
00:09:44,150 --> 00:09:48,989
[women's chorus harmonizes]

27
00:09:54,703 --> 00:09:59,540
[Ugandan pop music plays]

28
00:10:12,429 --> 00:10:17,267
[happy voices as the music continues]

29
00:10:47,589 --> 00:10:50,633
[a moment of cheering, laughing, applause]

30
00:11:23,374 --> 00:11:25,460
[stomps]

31
00:11:25,460 --> 00:11:28,296
ANNOUNCER: Good lift. [applause]

32
00:11:30,340 --> 00:11:32,884
Load the bar: 41 kilograms.

33
00:11:35,678 --> 00:11:37,931
[weights clank to the ground] 41 Kilograms.

34
00:11:42,185 --> 00:11:45,146
[many quiet conversations]

35
00:12:04,415 --> 00:12:07,418
The bar is loaded 40 kilograms.

36
00:12:19,472 --> 00:12:24,185
From Uganda, her first attempt.

37
00:12:24,185 --> 00:12:26,271
[light applause]

38
00:12:29,274 --> 00:12:32,110
[many conversations]

39
00:12:37,782 --> 00:12:39,367
[audience calls out]

40
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[buzzer] No lift.

41
00:12:54,924 --> 00:12:59,554
Bar is loaded 40 kilograms for Miss Katesi Milli of Uganda.

42
00:13:00,013 --> 00:13:03,933
[weights clinking]

43
00:13:13,401 --> 00:13:14,402
[audience member cheers]

44
00:13:14,402 --> 00:13:15,612
[buzzer]

45
00:13:15,612 --> 00:13:17,405
ANNOUNCER: No lift.

46
00:13:29,542 --> 00:13:33,171
Bar is loaded 45 kilograms for Miss Katesi Milli.

47
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Miss Annana Giconne, get ready.

48
00:13:38,301 --> 00:13:40,887
[audience hushes]

49
00:13:44,766 --> 00:13:47,644
[grunts with effort, audience cheers]

50
00:13:47,644 --> 00:13:48,770
[buzzer]

51
00:13:50,772 --> 00:13:52,857
ANNOUNCER: Good lift. [light applause]

52
00:13:53,524 --> 00:13:55,485
74 kilograms.

53
00:14:00,448 --> 00:14:03,743
[weights thud, clank, and roll]

54
00:14:16,047 --> 00:14:18,007
[stomps]

55
00:14:23,179 --> 00:14:25,765
[buzzer]

56
00:14:26,641 --> 00:14:29,185
ANNOUNCER: No lift.

57
00:14:29,185 --> 00:14:31,020
[one person claps]

58
00:14:33,022 --> 00:14:37,860
[room hums with quiet conversations]

59
00:14:39,278 --> 00:14:41,406
[weights drop and bounce]

60
00:14:44,325 --> 00:14:47,161
ANNOUNCER: Miss Lemontina Afrifor from Seychelles.

61
00:14:49,163 --> 00:14:51,457
[cheers, yells]

62
00:14:57,171 --> 00:15:00,341
[loud stomp]

63
00:15:00,341 --> 00:15:01,884
ANNOUNCER: No lift.

64
00:15:02,885 --> 00:15:04,387
LEMONTINA: Fuck.

65
00:15:05,013 --> 00:15:06,973
ANNOUNCER: 72 kilograms.

66
00:15:06,973 --> 00:15:08,182
[cheering, applause]

67
00:15:08,182 --> 00:15:10,810
Lifting 72 kilograms. Next.

68
00:15:11,561 --> 00:15:15,231
[audience cheers, yells, then hushes]

69
00:15:16,858 --> 00:15:22,238
[raucous cheering]

70
00:15:30,371 --> 00:15:35,251
[cheers erupt]

71
00:15:35,251 --> 00:15:36,836
ANNOUNCER: Good lift.

72
00:15:39,088 --> 00:15:43,926
[tapestry of boisterous conversations, radios]

73
00:16:00,401 --> 00:16:05,239
[vendors calling out wares as conversations continue]

74
00:17:03,714 --> 00:17:08,553
[the air filled with voices, music]

75
00:17:19,188 --> 00:17:22,150
[happy laughter]

76
00:17:43,004 --> 00:17:47,592
[sports announcer on a radio]

77
00:17:55,057 --> 00:17:57,643
VENDOR: Madame, you are taking us to America.

78
00:17:57,643 --> 00:17:59,687
You're taking us to America?

79
00:17:59,687 --> 00:18:01,564
[many voices]

80
00:18:01,564 --> 00:18:03,232
VENDOR: Where? FILMMAKER: Wanna go?

81
00:18:03,232 --> 00:18:04,233
Where are you taking us?

82
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FILMMAKER: New York City. VENDOR: What?

83
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VENDOR: New York City!

84
00:18:06,986 --> 00:18:09,780
[music with a vibrant beat plays]

85
00:18:09,780 --> 00:18:14,619
[many conversations in the background]

86
00:19:05,836 --> 00:19:08,839
[cheering]

87
00:19:24,397 --> 00:19:27,650
[music fades into the loud hum of a flour mill]

88
00:20:20,786 --> 00:20:23,706
[hum slowly fades away, as children's voices rise]

89
00:20:27,752 --> 00:20:30,588
[emergency vehicle siren nearby]

90
00:20:47,188 --> 00:20:52,860
[car radio plays music, siren nears, then stops]

91
00:20:59,700 --> 00:21:04,580
[many conversations]

92
00:21:09,001 --> 00:21:12,755
[man speaking Luganda into a microphone]

93
00:21:29,855 --> 00:21:37,154
[guitar strums punctuate his words]

94
00:21:45,329 --> 00:21:47,498
Ooh ah! Eeh ah!

95
00:21:47,498 --> 00:21:50,418
[plays music each time he pauses]

96
00:21:50,418 --> 00:21:52,837
Bruce Lee. Bruce Lee.

97
00:22:03,222 --> 00:22:06,100
Ooh ah! Eeh ah!

98
00:22:06,100 --> 00:22:10,938
[voice quickly alternates with music over and over]

99
00:22:21,699 --> 00:22:27,204
[energy rises in his voice as the fight continues]

100
00:22:33,752 --> 00:22:37,590
Bruce Lee! Bruce, Bruce Lee!

101
00:22:42,553 --> 00:22:44,346
Ooh ah! Ooh ah!

102
00:23:00,196 --> 00:23:05,034
[footsteps crunching the dirt]

103
00:23:12,082 --> 00:23:16,921
[conversations near and far]

104
00:23:36,565 --> 00:23:41,320
[grunts and punches]

105
00:23:50,538 --> 00:23:55,376
[voices call out energetically]

106
00:24:04,051 --> 00:24:08,889
[rain beats down as thunder cracks]

107
00:24:12,643 --> 00:24:17,481
[many voices in the distance]

108
00:24:39,378 --> 00:24:44,216
[happy children's squeals]

109
00:24:55,311 --> 00:25:00,149
[many adults' voices echo off the walls from a distance]

110
00:25:44,109 --> 00:25:48,947
[voices continue reverberating]

111
00:26:06,090 --> 00:26:10,344
[applause, cheers rising]

112
00:26:10,344 --> 00:26:15,349
[men preaching, voices echoing through the hall]

113
00:26:21,605 --> 00:26:24,942
[audience cheers]

114
00:26:59,852 --> 00:27:01,520
♪ Hallelujah!

115
00:27:01,770 --> 00:27:03,397
♪ Hallelujah!

116
00:27:03,647 --> 00:27:05,941
♪ Hallelujah!

117
00:27:05,941 --> 00:27:08,068
♪ Praise, praise the Lord ♪

118
00:27:09,611 --> 00:27:15,075
[choir fills in with Hallelujahs to an upbeat melody]

119
00:27:25,502 --> 00:27:30,716
[clanking, clinking of rocks and stones fill the air]

120
00:27:58,869 --> 00:28:03,707
[many conversations]

121
00:28:14,802 --> 00:28:16,637
MAN: OK, action one!

122
00:28:17,679 --> 00:28:21,600
[rattling and clanking]

123
00:28:21,600 --> 00:28:22,935
Action two!

124
00:28:22,935 --> 00:28:31,610
[scraping, clanking, banging]

125
00:28:38,075 --> 00:28:40,202
Action three!

126
00:28:40,202 --> 00:28:41,620
That's right.

127
00:28:45,666 --> 00:28:50,504
[a melody of rocks being scooped and crashing into the truck]

128
00:28:58,428 --> 00:29:00,055
Cut!

129
00:29:00,055 --> 00:29:01,431
[crashing continues]

130
00:29:01,431 --> 00:29:02,558
OK, cut!

131
00:29:02,558 --> 00:29:04,476
[laughter]

132
00:29:04,476 --> 00:29:07,437
[quiet chatting]

133
00:29:17,406 --> 00:29:22,786
-So, we're doing the last two shot scenes for the day.

134
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They'll do something else after.

135
00:29:24,121 --> 00:29:25,789
-Are we standing by? -We're standing by.

136
00:29:25,789 --> 00:29:27,916
-Roll camera! -Rolling.

137
00:29:27,916 --> 00:29:30,627
-Check your sound. -Sound is on!

138
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-And, action!

139
00:29:32,296 --> 00:29:34,464
[clanking resumes]

140
00:29:34,464 --> 00:29:41,430
[epic, suspenseful music plays in the film onscreen]

141
00:30:01,658 --> 00:30:06,496
[a chorus of birds singing]

142
00:30:24,097 --> 00:30:28,936
[children's in the distance, voices growing closer]

143
00:30:50,165 --> 00:30:55,003
[children continue talking energetically]

144
00:31:12,062 --> 00:31:16,900
[adults address the students as childrem talk nearby]

145
00:31:34,960 --> 00:31:39,798
[a child sings playfully]

146
00:32:14,750 --> 00:32:19,588
[children talking and laughing continue]

147
00:32:53,663 --> 00:32:58,502
[truck roars past as conversations continue]

148
00:33:11,098 --> 00:33:17,312
[bright, energetic hand drumming]

149
00:33:31,118 --> 00:33:33,120
MAN: Oh, yes, it's percussion night.

150
00:33:35,080 --> 00:33:37,666
Expect lots of muscle percussion tonight.

151
00:33:42,629 --> 00:33:48,844
[melody and rhythm weaving across many drums]

152
00:34:16,830 --> 00:34:20,583
[a brass instrument holds a long, high note]

153
00:34:27,591 --> 00:34:30,969
MAN: Hey ya hey! CROWD: Hey ya hey!

154
00:34:30,969 --> 00:34:34,681
MAN: Hey ya hey! CROWD: Hey ya hey!

155
00:34:34,681 --> 00:34:37,391
MAN: Hey ya hey! CROWD: Hey ya hey!

156
00:34:37,391 --> 00:34:42,563
MAN: Hey hey ya hey! Hey!

157
00:34:42,563 --> 00:34:43,690
WOMAN: Woo!

158
00:34:56,578 --> 00:35:01,416
[drumming continues]

159
00:35:21,603 --> 00:35:23,688
MAN: Oh, yes. It's percussion night!

160
00:35:25,565 --> 00:35:28,568
Expect lots of muscle percussion tonight.

161
00:35:51,633 --> 00:35:53,969
[drumming slowly fades into the low truck engine rumbling]

162
00:35:53,969 --> 00:35:55,637
CHILD: Hey, hey, hey!

163
00:35:58,723 --> 00:36:01,142
[giggling]

164
00:36:05,438 --> 00:36:10,277
[truck engine purring, radio playing quietly]

165
00:36:29,796 --> 00:36:32,424
[engine stops, goats bleat in the distance]

166
00:36:33,300 --> 00:36:36,177
[car doors open, then shut]

167
00:36:36,177 --> 00:36:38,179
MAN: Welcome.

168
00:36:42,684 --> 00:36:47,522
[chorus of drums played with drumsticks]

169
00:37:11,713 --> 00:37:16,551
[drumming continues in the distance]

170
00:37:24,851 --> 00:37:29,689
[distant voices and drumming outside]

171
00:37:56,508 --> 00:38:01,554
TEACHER: Our first question was, I wonder why.

172
00:38:01,554 --> 00:38:07,977
I wonder why that man is always hanging ___ near our house.

173
00:38:07,977 --> 00:38:17,028
I wonder why that man is always hanging ___ near our house.

174
00:38:18,530 --> 00:38:21,116
So, of the options, which one is much more appropriate?

175
00:38:21,116 --> 00:38:23,034
Yes? STUDENT: Around.

176
00:38:23,034 --> 00:38:24,828
TEACHER: Around. Do we put "around" there?

177
00:38:24,828 --> 00:38:27,205
STUDENTS: No. TEACHER: Yes?

178
00:38:27,205 --> 00:38:31,376
STUDENT: Aside. TEACHER: Aside. Mmhmm.

179
00:38:31,376 --> 00:38:35,130
I think the most appropriate was...out. Hm?

180
00:38:35,130 --> 00:38:36,464
STUDENT: Yeah.

181
00:38:39,050 --> 00:38:42,262
TEACHER: I wonder why the man, yeah,

182
00:38:42,262 --> 00:38:45,515
I wonder why that man is always hanging out,

183
00:38:45,515 --> 00:38:48,768
around, near our home. So, out.

184
00:38:50,937 --> 00:38:55,775
[interlocking fast rhythms from drums]

185
00:39:03,658 --> 00:39:08,079
TEACHER: "For then, I must leave for England next week.

186
00:39:08,079 --> 00:39:11,958
I must leave for England next week," he said.

187
00:39:11,958 --> 00:39:14,627
"I must leave for England next week," he said.

188
00:39:16,379 --> 00:39:20,550
[fast and slow rhythms weave together]

189
00:39:42,989 --> 00:39:46,326
TEACHER: He said he would willing to lay ___ his life

190
00:39:46,326 --> 00:39:47,869
for his country.

191
00:39:47,869 --> 00:39:53,833
He said he would willingly lay ___ his life for his country.

192
00:39:53,833 --> 00:39:56,419
What was the best option there? Yes, my friend.

193
00:39:56,419 --> 00:39:57,712
STUDENT: Down. TEACHER: Yes.

194
00:39:57,712 --> 00:40:00,173
He said he would willingly lay down.

195
00:40:02,258 --> 00:40:04,802
So, the best option there is?

196
00:40:04,802 --> 00:40:05,803
STUDENTS: Down. TEACHER: Down.

197
00:40:05,803 --> 00:40:09,766
He said he would willingly lay down his life for his?

198
00:40:09,766 --> 00:40:11,017
STUDENT: Country. TEACHER: Country.

199
00:40:13,019 --> 00:40:17,857
[drumming resumes, with quiet voices]

200
00:40:26,324 --> 00:40:28,701
TEACHER: And the third question talked about

201
00:40:28,701 --> 00:40:33,831
the attack on the city was called ___ at the last moment.

202
00:40:33,831 --> 00:40:40,797
The attack on the city was called ___ at the last moment.

203
00:40:40,797 --> 00:40:42,799
The attack?

204
00:40:44,259 --> 00:40:46,928
STUDENT: Was called off. TEACHER: Was called off.

205
00:40:48,763 --> 00:40:52,433
[rhythms resume]

206
00:41:11,661 --> 00:41:16,499
[a fast solo with other drums continuing]

207
00:41:23,965 --> 00:41:28,803
[bass drum takes the lead]

208
00:42:05,006 --> 00:42:08,051
[machines ticking and whirring as drums fade out]

209
00:42:18,144 --> 00:42:23,024
[small movements echo through the room]

210
00:42:31,783 --> 00:42:36,287
[sewing machine whirs]

211
00:42:41,042 --> 00:42:45,880
[quiet footsteps]

212
00:43:05,692 --> 00:43:10,363
[ticking, clanking of machinery]

213
00:43:33,469 --> 00:43:38,307
[buzzing, whirring, ticking]

214
00:44:08,129 --> 00:44:12,967
[cacophony of three machines running at once]

215
00:44:25,938 --> 00:44:29,025
[sewing machines fade away]

216
00:44:30,318 --> 00:44:35,156
[scraping up mortar, many conversations nearby]

217
00:44:52,590 --> 00:44:57,428
[conversations continue]

218
00:44:59,889 --> 00:45:03,226
That's a very big gap, by the way. Very big.

219
00:45:06,437 --> 00:45:11,275
[hand tool scratching across the dirt]

220
00:45:55,444 --> 00:46:00,283
[many conversations, laughter, a rooster crowing]

221
00:46:25,141 --> 00:46:29,979
[drums and songbirds in the distance]

222
00:46:38,613 --> 00:46:43,451
[many enthusiastic voices chatting at once]

223
00:46:51,584 --> 00:46:56,422
[soft scrubbing of brush across leather]

224
00:47:06,140 --> 00:47:09,852
[water pouring, swishing]

225
00:47:14,523 --> 00:47:18,861
[nearby conversations continue]

226
00:47:49,266 --> 00:47:54,105
[fabrics and papers crinkle]

227
00:47:59,443 --> 00:48:03,447
[soft shuffling steps, a radio nearby]

228
00:48:11,914 --> 00:48:20,548
[singing call and response with clapping]

229
00:48:41,902 --> 00:48:46,782
[song continues, everyone singing in unison]

230
00:48:49,160 --> 00:48:50,870
[singing fades away slowly]

231
00:48:50,870 --> 00:48:54,915
MAN: We have children who have been...

232
00:48:54,915 --> 00:48:56,917
affected by the war.

233
00:48:58,836 --> 00:49:02,214
Either their parents were killed because of the war,

234
00:49:02,214 --> 00:49:05,176
or they were child soldiers.

235
00:49:05,968 --> 00:49:09,805
[birds chirping, insects buzzing]

236
00:49:13,851 --> 00:49:18,689
[nearby birds singing, a rooster in the distance]

237
00:49:22,026 --> 00:49:24,236
YOUNG MAN: Walking, I remember.

238
00:49:24,236 --> 00:49:26,405
And fighting, I remember.

239
00:49:27,406 --> 00:49:31,911
Then killing people, I also remember. Mm.

240
00:49:31,911 --> 00:49:33,788
I also remember.

241
00:49:37,625 --> 00:49:40,795
YOUNG WOMAN: You have to do in order to survive.

242
00:49:43,005 --> 00:49:47,843
[birdsong and insects continue a bright soundtrack]

243
00:49:55,142 --> 00:49:57,895
YOUNG MAN: As I sleep at night,

244
00:49:57,895 --> 00:50:03,692
I dream I hear...

245
00:50:03,692 --> 00:50:06,320
a gun, gunshot.

246
00:50:08,739 --> 00:50:11,158
I dream about guns.

247
00:50:22,837 --> 00:50:27,007
So, why are you taking my story in USA or New York?

248
00:50:29,885 --> 00:50:32,763
About my life as I've been telling you.

249
00:50:35,099 --> 00:50:37,935
Why do you want to go with it there?

250
00:50:58,998 --> 00:51:03,836
[chatting, laughing nearby]

251
00:51:07,047 --> 00:51:11,886
[a light breeze and conversations in the distance]

252
00:51:34,408 --> 00:51:39,246
[quiet chatting]

253
00:51:53,719 --> 00:51:58,557
[birds singing]

254
00:52:02,561 --> 00:52:05,481
[laughter as peppers tumble into the bowl]

255
00:52:06,565 --> 00:52:09,109
[peppers plunk onto the pile]

256
00:52:47,273 --> 00:52:49,858
MAN: Before reaching, before reaching,

257
00:52:49,858 --> 00:52:51,986
before reaching Saturday....

258
00:52:51,986 --> 00:52:56,824
[many happy voices, casual conversations]

259
00:52:58,784 --> 00:53:00,202
-Ahh, sir.

260
00:53:13,841 --> 00:53:18,679
[chatting, laughing]

261
00:54:05,267 --> 00:54:10,105
[pencils scratching against paper]

262
00:54:23,660 --> 00:54:28,499
[quiet voices outside]

263
00:55:16,713 --> 00:55:21,552
[pencil scraping across page]

264
00:55:22,553 --> 00:55:27,391
[bright tune on a bow harp begins to play]

265
00:55:58,172 --> 00:56:03,010
[many conversations as solo on the adungu continues]

266
00:56:21,236 --> 00:56:26,074
[chatting, whistling along with the solo]

267
00:56:32,247 --> 00:56:35,584
[music slowly fades away to the hum of the dorm room]

268
00:57:08,992 --> 00:57:14,831
[fast drumming and singing, men and women taking turns]

269
00:57:39,231 --> 00:57:41,775
[a woman's voice trills on a high note]

270
00:58:32,868 --> 00:58:37,706
[singing fades slowly into crickets, conversations]

271
00:58:53,138 --> 00:58:57,976
[fire crackling, crickets chirping, people chatting]

272
00:59:15,452 --> 00:59:18,246
[voices fade to silence]

273
00:59:20,040 --> 00:59:26,755
[clapping a rhythm and a call and response song]

274
00:59:43,188 --> 00:59:48,026
[singing continues, stomping to the beat]

275
00:59:53,615 --> 00:59:58,453
[happy voices squeal as water rushes]

276
01:00:19,057 --> 01:00:23,895
[the air filled with the hiss and bass of falling water]

277
01:00:50,255 --> 01:00:55,093
[boat engine rumbles, quiet voices]

278
01:01:32,589 --> 01:01:37,427
[engine briefly revs several times]

279
01:01:51,858 --> 01:01:53,860
[crunch against the riverbank]

280
01:01:55,695 --> 01:02:00,534
[truck horn honking]

281
01:02:16,132 --> 01:02:20,971
[brief snippets of voices as people are passed]

282
01:02:33,108 --> 01:02:38,572
[brass instruments and drums playing a bouncy tune]

283
01:02:48,373 --> 01:02:53,211
[band grows louder]

284
01:03:33,418 --> 01:03:38,256
[parade music fades to birdsong, choir in the distance]

285
01:03:50,810 --> 01:03:55,649
[bicycles ticking along, bird squawking]

286
01:04:18,505 --> 01:04:22,926
[quiet conversations, the choir still singing]

287
01:04:39,442 --> 01:04:42,696
[truck roaring]

288
01:04:54,874 --> 01:04:58,878
[motorcycle approaching]

289
01:05:22,569 --> 01:05:27,407
[singing continues, reverberating]

290
01:06:21,669 --> 01:06:25,423
[singing fades away]

291
01:06:27,300 --> 01:06:31,513
[footsteps scratch along the road, laughing]

292
01:06:31,513 --> 01:06:33,139
GIRLS: Hi. Hi.

293
01:06:40,897 --> 01:06:43,525
[giggling]

294
01:06:44,984 --> 01:06:47,320
-Hi. -Hey, there.

295
01:06:49,197 --> 01:06:52,200
-What is going on here?! [laughs]

296
01:06:52,200 --> 01:06:56,079
-Mm mm mm mm!

297
01:06:58,873 --> 01:07:03,711
[many voices speaking local language]

298
01:07:07,924 --> 01:07:09,592
-We are smart!

299
01:07:09,592 --> 01:07:11,719
-Thank you. -Thank you!

300
01:07:11,719 --> 01:07:13,471
[laughter]

301
01:07:14,514 --> 01:07:17,392
[birds singing]

302
01:07:37,412 --> 01:07:39,873
FILMMAKER: [whispering] One more. Wait. Go back.

303
01:07:46,421 --> 01:07:48,673
[camera clicks]

304
01:07:48,673 --> 01:07:51,176
[children burst into laughter]

305
01:07:53,761 --> 01:07:54,762
-Me!

306
01:07:54,762 --> 01:08:00,059
My name is Winnie. I'm just here. Thanks!

307
01:08:00,059 --> 01:08:02,478
Excuse me. [laughs]

308
01:08:04,105 --> 01:08:07,108
-My name is Rebecca.

309
01:08:07,108 --> 01:08:10,904
I'm 8. I'm 8 years old.

310
01:08:10,904 --> 01:08:14,866
My mother's name is Jordan Sparks.

311
01:08:14,866 --> 01:08:15,992
Bye-bye, dear.

312
01:08:15,992 --> 01:08:18,912
-My name is....

313
01:08:18,912 --> 01:08:21,915
-My name is Jordan Sparks. Bye-bye.

314
01:08:21,915 --> 01:08:27,170
[chorus of kids saying their names and "love you"]

315
01:08:27,170 --> 01:08:29,297
-My name is Jennifer Lopez.

316
01:08:29,297 --> 01:08:31,466
-My name is American.

317
01:08:31,466 --> 01:08:33,593
-My name is Rebecca. I love you.

318
01:08:33,593 --> 01:08:36,595
[blows kiss, laughter erupts]

319
01:08:38,556 --> 01:08:42,100
-My name is Winnie! Thank you. Love you both.

320
01:08:42,100 --> 01:08:44,270
[laughter]

321
01:08:44,270 --> 01:08:47,690
-And my name is Prudent. Thank you very much.

322
01:08:47,690 --> 01:08:49,943
I love you too. [blows kiss, laughs]

323
01:08:49,943 --> 01:08:52,779
-Me, I am 50 cents. Thank you!

324
01:08:52,779 --> 01:08:54,738
-Thank you, man.

325
01:08:55,657 --> 01:08:59,202
-Children, talk about God! Children, talk about God.

326
01:08:59,202 --> 01:09:01,246
-My name is Winnie.

327
01:09:01,246 --> 01:09:07,085
I like praying so much because God love me.

328
01:09:07,085 --> 01:09:08,627
-Hi, dear. -Hi, John.

329
01:09:08,627 --> 01:09:12,715
-OK, hi, dear. May God bless you.

330
01:09:12,715 --> 01:09:14,550
Thank you! -What is going on?

331
01:09:14,550 --> 01:09:17,386
-Oh, thank you! Good luck.

332
01:09:17,386 --> 01:09:19,514
-Thank you. May God bless you.

333
01:09:22,225 --> 01:09:25,478
[children speaking local language]

334
01:09:25,478 --> 01:09:27,689
-Snap here. OK, children. Is enough.

335
01:09:27,689 --> 01:09:31,734
Let's go back home. Enough. Enough. Enough. [laughter]

336
01:09:31,734 --> 01:09:33,611
Let's go now. Bye-bye!

337
01:09:33,611 --> 01:09:35,571
FILMMAKER: Bye-bye.

338
01:09:49,585 --> 01:09:54,424
[call and response singing and drums]